A good friend of mine is a commercial photographer. Usually, he shoots in his studio, but every now and then he shoots on location. I asked him how he decides what gear to take on the road and he answered without missing a beat, “Easy. I take everything.”
When you’ve got a few assistants with dollies and a rented cube van, well yeah, that makes a lot of sense. On a commercial location shoot, with clients and art directors and talent and make-up crew all depending on you, it would be just a wee bit embarrassing if the whole production came to a halt because you hadn’t realized you’d need that third roll of gaffers tape or whatever. The few times I’ve done that kind of shoot, I followed my friend’s advice and took every last thing I owned. Every lens, every camera, every tripod. An extra set of Allen keys. Everything.
But that doesn’t work with travel photography. Continue Reading →