Tag Archives | travel photography

Which Pro Camera do you Really Need to Shoot Like a Pro?

Eye on Riga: A bridge in the Latvian capital glows neon indigo as boaters row back to the docks at night. Photo ©Mike Randolph

Let’s start with a little quiz. What one thing makes a pro camera a pro camera? Build quality? Weather sealing? Fast autofocus? Fast motor drive? Dual SD card slots?

Don’t think too long over the answer because it’s none of the above. Continue Reading →

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The One Camera and the One Lens You Need for Travel Photography

Budapest

A man walks down the steps of Buda Castle at night, Budapest, Hungary. Shot with a Sony Nex7 and a Zeiss Biogon M 28mm lens. (42mm equivalent.) Photo ©Mike Randolph

A reader of my recent post, How Much Gear Should You Take on Your Next Trip? left a comment, and asked a doozy of a question: “So assuming you want serious pics and are happy to carry one body and one lens which lens would you pack knowing you want a good mix of landscapes, wildlife and travel portraits?” (Thanks for the question, Ian.)

First, the camera. I would take a mirrorless camera to save space and weight. I use a Sony Nex7. The autofocus is terrible but I never use it anyway. I use mostly manual focus lenses and set the peaking to red on the ‘medium’ setting, and I also use the focus magnify feature. I’ve gotten very used to this setup and Continue Reading →

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How Much Gear Should You Take on Your Next Trip?

st.peters

The alter of St. Peter’s in Vatican City sits just below the Basilica’s spectacular dome. Photo ©Mike Randolph

A good friend of mine is a commercial photographer. Usually, he shoots in his studio, but every now and then he shoots on location. I asked him how he decides what gear to take on the road and he answered without missing a beat, “Easy. I take everything.”

When you’ve got a few assistants with dollies and a rented cube van, well yeah, that makes a lot of sense. On a commercial location shoot, with clients and art directors and talent and make-up crew all depending on you, it would be just a wee bit embarrassing if the whole production came to a halt because you hadn’t realized you’d need that third roll of gaffers tape or whatever. The few times I’ve done that kind of shoot, I followed my friend’s advice and took every last thing I owned. Every lens, every camera, every tripod. An extra set of Allen keys. Everything.

But that doesn’t work with travel photography. Continue Reading →

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